Critical Paths into DH : The Charles J. Belden Photography Archive

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[submitted by Jessica Landau]

The Charles J. Belden Photography Archive at the American Heritage Center, University of Wyoming

The digital archive of the 1920’s and 30’s photography of Wyoming based photographer Charles Belden has been a path into the digital humanities for me, and not just for the obvious reason that I now interact with these images through a digital space. His photography is also interesting because of the ways in which it visualizes the American West through the modern lens of photography, creating geometric forms out the landscape and livestock. In some senses, Belden’s images seem to anticipate the digital, both in their quality and quantity. I am intrigued by the ways in which technology shapes the way we see and even the way that vision can be re-shaped by digital platforms almost 100 years later.

Critical Paths into DH : Willard McCarty and The Women Writers’ Project

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[submitted by Ana Lucic]

McCarty, Willard. (2005). Humanities Computing. New York: Palgrave MacMillan.

The Women Writers Project.

Unsworth, John. Knowledge Representation in the Humanities Computing

The concept of modeling as proposed by Willard McCarty in his book Humanities Computing was at the same time useful and very intriguing as I was getting more interested in transformative interventions that Digital Humanities or Digital Studies allow.

Women Writers Project archive is an example of applying a TEI model on literary works written by women writers and the opportunities that this model offers for representing, understanding, reading, and preserving the works of women.

Critical Paths into DH : Joaquín Rubio Tovar y Doug Engelbart

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[submitted by Gimena del Rio Riande]

1. De la Filología al la Posmodernidad, by Joaquín Rubio Tovar

2. Working Together, by Douglas Engelbart and Harvey Lehtman

“Though this be madness, yet there is method in it”

“Quasi nanos gigantum humeris insidentes”

“Yo lo que quiero es construir puentes, que es lo mismo que herramientas, que es lo mismo que textos, con otros que los quieran construir conmigo”


Critical Paths into DH : Jodi Dean

[submitted by Melissa Seifert]

Jodi Dean, “Communicative Capitalism: Circulation and the Foreclosure of Politics” Cultural Politics 1.1 (2005): 51-74.

Most of my research focuses on the physical and performative communication strategies employed in moments of political activism. Dean’s essay works as one path into DH, allowing me to explore digital activism and the implications of what Dean calls “the post-political formation of communicative capitalism.” She raises important questions about the political impact of networked communication technologies arguing that digital spaces are depoliticizing and that they normalize our acceptance of unresponsiveness, in lieu of mass communication.


Critical Paths into DH : Christian Nold’s San Francisco Emotion Map

[submitted by Ned Prutzer]

Like many of the pieces I study, Nold’s map represents how subjectivity enters into affective computing in encountering technological infrastructures and cities as systems of ideology. I feel that, in relation to the Digital Humanities and Digital Studies, such works help unravel why critical approaches are needed for such representations and the archives they draw from, as they can contain interesting ideological nuances that magnify standing debates on the intersections of affect, data, and surveillance.

Critical Paths into DH : Intangible Cultural Heritage database, Dept. of Hulia

[Contribution by Fabian Prieto-Nanez]

I would like to present a database of Intangible Cultural Heritage that we worked on with Fundacion Erigaie in Colombia in 2007. I want to stress the process of designing this database with available technologies (MS Access) and further discussions that emerged on technical knowledge restrictions. What was at the center of our design was a critical approach to state categories for classifying Intangible Cultural Heritage, something that we projected into our tools for classifying and gathering information.

Critical Paths into DH : Walid Raad

My Neck is Thinner than a Hair, by Walid Raad (1996-2004)

[Contribution by Kevin Hamilton]

The work of Lebanese artist Walid Raad, as exemplified in the Atlas Group projects, the Arab Image Foundation, or his more recent Scratching on Things I Could Disavow, has been essential to my own encounters with archive-construction in the Digital Humanities. As I look at both the new archival projects under construction in DH, or the new platforms emerging to support such efforts, I’m thankful for the ways that Raad’s work reminds us of the imaginative and speculative potential of archiving.

HASTAC 2014 Workshop : Call for Participation

On Arriving at the Digital:
Describing Critical Paths into the Digital Humanities
HASTAC 2014 Lima, Peru, April 27, 2014

This workshop will provide a space to discuss the texts, archives, practices or projects you bring to or blend with the Digital Humanities in order to create a space for critical, reflective and transformative work. We seek to form a collectively-authored bibliography or archive that not only illuminates your own paths into DH for others, but captures the field in a state of transition and formation.

For most, the Digital Humanities, or Digital Studies more broadly, is not a space of origination, but a space of destination – and not one that all have felt immediately ready to enter. Many scholars have only found a way in to the Digital Humanities by bringing their own subjects, critiques, epistemologies or languages to the conversation, augmenting and extending the field. This process has resulted in some of the field’s most vital and growing conversations – namely, those that include critical approaches to race, gender or transnationalism as vital to understanding the intellectual, social and political potentials of digital archives and platforms.

Our workshop is open to all HASTAC conference attendees. We ask only that participants send us ahead of time an example – in any language – of an article, book, archive, or object from “outside” the Digital Humanities that has been important to their experience of the Digital Humanities as a transformative space. In anticipation of the workshop, we’ll compile these examples and share them online. For the workshop, we’ll spend time in small groups comparing these examples, and then gather as a large group for discussion informed by a single text, announced ahead of time, and chosen to capture some of the common issues and dynamics at work among the paths represented in our group.

To participate, please fill out the webform at, and we’ll add your reference to the online repository in anticipation of the event.

As we receive submissions, we’ll list them here.

Who we are:

We are an interdisciplinary group of graduate students and faculty from the University of Illinois who are largely new to the Digital Humanities, but who share a common curiosity and excitement about the potential they offer for enacting institutional change. We’re excited about how Digital Humanities scholarship has made room for analyses of technologies as not only technical but cultural.  Our group’s base questions lie less in examinations of DH than in understanding how technologies – in their technical, social, and representational capacities – enact culturally-specific values. We see the Digital Humanities as both a site where such processes take place – through the creation of new technologies and platforms – and as a place where scholars can study such processes together. The Digital Humanities also, importantly, offer us at least an excuse, if not a mandate, for posing alternative, transformative processes and technologies for learning, archiving, collecting, sharing.